“衣冠大盗"(TLF取名)，本剧作为CBS今年的重头戏之一，由艾美奖得主Ray Liotta主演。他的角色Bobby Stevens是一名犯罪高手，领导一群组织严密的罪犯策划并实施高科技抢劫大案。而在表面上，他是一个再平常不过的居家男人，乾着朝九晚五的工作。他想再乾几桩大买卖，弄到足够的钱，然后就此金盆洗手，舒舒服服地和妻子Hope与两个孩子过正常生活。尽管家人从不与他讨论这些非法的勾当，但Hope已经厌倦了睁一只眼、闭一只眼的日子。 　　Bobby和他的犯罪搭档们则组成了另一个"家庭"，这些人全都术有专攻，身手不凡，各负其责。他们乾的都是轰动一时的大案，而且屡屡得手。Joe (Franky G)全权负责交通运输；Jeff (Simon Baker)是队伍中最不要命的莽汉，负责武器及火力支援；Tom (Jonny Lee Miller)是个惯犯，自上一次被逮捕后，先正处于假释期内；他的准女友Annie (Amy Smart)是个漂亮的伪装高手，擅长利用自己的美貌来应对任何危险情况。 　　FBI特工Dodd一直在追踪这群盗贼，他下定决心要抓获这个犯罪团队。但他最感兴趣的还是抓住在幕后操纵整个组织的神秘头目－－"Smith"。 　　Bobby能及时从中脱身，过上自己向往的生活吗？还是会在铁窗后度过余生？ 　　补评：如果我没有猜错，此剧会落得和去年的《Heist》一个下场，我个人不看好此剧。(以上介绍转自donatino的星空日志-天涯小筑) 　　SMITH stars Emmy Award winner Ray Liotta as a criminal mastermind in this drama about a close-knit crew of criminals who plot and execute high-stakes robberies. Though Bobby Stevens (Liotta) appears to be a regular family man with a nine-to-five job, he's actually an expert thief who is seeking a few last big jobs so he can finally leave the business for a comfortable, lawful lifestyle with his wife, Hope (Virginia Madsen), and their two children. While they never discuss Bobby's illegal pursuits, Hope is growing weary of turning a blind eye.

Wolfe is the new razor-sharp forensic crime drama from Paul Abbott (Shameless, State of Play, Clocking Off, and No Offence). Wolfe will lead us through the darkest parts of humanity, but he will shine a bright light into these gloomy places. Wolfe is about love and doing the right thing at all costs. And that’s a good thing to be doing in these dark days. 　　Each week Wolfe is propelled to a myriad of compelling locations, to piece together the parts (literally in most cases) of another outlandish and unconventional investigation. His team will face exploding vehicles, buildings…. and even bodies, doing anything to unearth the insidious truth behind these crimes. One thing is for sure though, they won’t be doing it in a way anybody expected. 　　A feel-good show about dead folks, with an unforgettable forensic family, Wolfe is not afraid to get up close and personal with blood and gore. Explosive stakes and unique crime scene discoveries only add to its energy, attitude, and wit, taking it miles ahead of any other forensic show.

约翰和简已经结婚了7年多，生活就像淡水般无味。婚姻就像坟墓，让他们过着死水一潭的生活。然而这仅仅是表象。背后他们各有刺激惊险的职业——约翰和简分属两个不同的秘密杀手机构，但彼此却不知道对方的职业身份。直到他们同时接到一个任务，刺杀目标竟是同一人。身份的真相才开始慢慢揭开。 反复的试探和猜测，简终于不小心说穿了自己身份。于是一场同室操戈不可避免地发生了。但是他们也开始意识到，自己只是组织的一个棋子。而眼前的，是共同生活了7年的爱人。

约翰（布拉德•皮特 Brad Pitt 饰）和简（安吉丽娜•朱莉 Angelina Jolie 饰）已经结婚了7年多，生活就像淡水般无味。婚姻就像坟墓，让他们过着死水一潭的生活。然而这仅仅是表象。背后他们各有刺激惊险的职业——约翰和简分属两个不同的秘密杀手机构，但彼此却不知道对方的职业身份。直到他们同时接到一个任务，刺杀目标竟是同一人。身份的真相才开始慢慢揭开。 　　反复的试探和猜测，简终于不小心说穿了自己身份。于是一场同室操戈不可避免的发生了。但是他们也开始意识到，自己只是组织的一个棋子。而眼前的，是共同生活了7年的爱人。

讲述约翰和简被一家神秘的间谍机构雇用，冒险进入间谍活动、婚姻世界，并学会密切地驾驭两者。

史密斯夫妇一直相互关爱着彼此，两人互相尊重并忠于爱情。一天，一个政府官员找到了史 密斯，告诉他由于登记地域的原因，他们的婚姻不合法。史密斯先生隐瞒了这件事。但他并不知道政府官员同样找到了他的妻子并告诉了她。所以问题就发生了…… 阿尔弗雷德·希区柯克影片之一，讲述了一对恩爱夫妻因为“意外”所导致的“不幸故事”。

《爱上海史密斯》是对美国著名作家帕特里夏·海史密斯生活的独特观察。本片是基于这位畅销小说家未发表的日记来讲述的。影片不仅聚焦于她对身份认同的追求和她坎坷的爱情生活，也为了解她的写作提供了新的角度。家人、朋友、她本人的声音，同精美的档案资料一起，生动地勾勒出这位迄今为止最多产的女作家之一的形象。海史密斯写了超过22部小说，许多被改编并搬上了大银幕：最著名的是由阿尔弗雷德·希区柯克改编的《火车怪客》、由雷内·克莱芒、维姆·文德斯和安东尼·明格拉改编的《天才瑞普利》，以及由托德·海因斯导演的关于女同性恋爱情故事的部分自传性小说《卡罗尔》。@亿万同人字幕分享

Having made his name as a playful and humorous avant-garde artist—with a career spanning half a century and more than 60 films, video works, and installations—John Smith confesses in this autobiographical contemplation that having the most commonplace of all British names “undermines my sense of individuality and self-worth on an almost daily basis.” Search online for “John Smith” and “film” and you’ll find Captain John Smith from Disney’s Pocahontas, he sighs, not him. 　　Smith uses deadpan humor and his charming voice to take us on a meandering journey into his thoughts about his name, his own mortality, and his legacy as an artist. Onscreen, meanwhile, we see texts that connect these reflections with other preoccupations, such as the desperate state of the world. 　　Unexpected sounds and other unforeseen and associative connections bear witness to his “idiosyncratic wit and formal inventiveness”—as does the question, which appears on screen, of whether this work lives up to his reputation. A stream of self-consciousness in image and sound by an artist who is always happy when someone asks him whether he is perhaps “the John Smith.”

Having made his name as a playful and humorous avant-garde artist—with a career spanning half a century and more than 60 films, video works, and installations—John Smith confesses in this autobiographical contemplation that having the most commonplace of all British names “undermines my sense of individuality and self-worth on an almost daily basis.” Search online for “John Smith” and “film” and you’ll find Captain John Smith from Disney’s Pocahontas, he sighs, not him. 　　Smith uses deadpan humor and his charming voice to take us on a meandering journey into his thoughts about his name, his own mortality, and his legacy as an artist. Onscreen, meanwhile, we see texts that connect these reflections with other preoccupations, such as the desperate state of the world. 　　Unexpected sounds and other unforeseen and associative connections bear witness to his “idiosyncratic wit and formal inventiveness”—as does the question, which appears on screen, of whether this work lives up to his reputation. A stream of self-consciousness in image and sound by an artist who is always happy when someone asks him whether he is perhaps “the John Smith.”

An intimate portrait of the life and work of the original "celebrity chef," Wolfgang Puck.